Back to the future and Nicholas Nixon

On a grey afternoon whilst in Berlin, I decided spontaneously to walk in the Amerika House, now an exhibition space for the C|O Berlin foundation near the Zoologischer Garten station. It is my first visit here, but surely not my last.

„Back to the Future.“

I started with the ground floor, „Back to the Future. The 19th Century in the 21st Century.“: an exhibition about the beginnings of photography and its experiments with exposure, chemical reactions in connection with nature, natural elements and its continued fascination on actual artists. Whether it is Anna Atkins‘ influence or Warren de la Rue’s, it is quite extraordinary how nature, flora, light, earth, moon keeps on fascinating. I enjoyed taking the time to read the information panels. The contents are most interesting and the texts are set discretely, with a nice sized print.

“A retrospective of Nicholas Nixon.”

The second show was totally different: a retrospective show of Nicholas Nixon’s work. Nicholas Nixon is an American photographer known in parts for his series of the Brown sisters. A series of portraits of the 4 sisters, one of which is his wife. They are always posing in the same order, but not in the same way. Nixon photographed them once a year for 42 years.

The retrospective, however, starts with his beginnings, the „New Topographics“ series, the „City Views“ series and later goes on to other most moving portraits series. I have to say this show left me very moved. His constant search for closeness in his portraits whether in his series „couples“, „aids“ or „elderly“ was almost too much for me. By saying this, I mean it touched a nerve in me, which I don’t always have the strength to have opened. The distance I needed was not there, but that confrontation is what Richard Nixon wanted. In a short video at the end of the show, he explains this clearly.

I can strongly recommend theses exhibitions, they are moving and strong. Congratulations to the C|O Berlin foundation and the curators. I came out feeling inspired and emotionally taken in, and that is not always the case.

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