Silent Dialogue On Time And On Space In Art

* * * Silent Dialogue On Time And On Space In Art * * *

Eternity is not a time without an end, but, what we fill our moments with. 

The artistic expression that finds its way through us, has the power to fill not only our moments, but also our whole being. 

Art is one of the most efficient way in which we are in contact with the aspirations of our being without mediation. 

This is true for music, for painting, for film, for poetry, for any art form. 

Something in the various forms and expressions of art does not age. 

Homer’s verses are just as young today as they were more than 2,000 years ago.  

Art therefore transcends all barriers and boundaries, whether natural or artificial. 

If, and only if, it manages to find fertile soil without prejudice in the depth of our hearts. 

For those who loves divas, who does not remember Maria Callas. 

No knowledge is required for her repertoire to feel the full emotion within her voice.  

There was and there still is something in her voice. 

This thing that comforts and soothes by giving us a place to stay in her voice by marrying our various emotions with those that her voice and her interpretation wrap us.

This is also true, in a different order of things when Whitney Houston’s name comes to mind. When she starts singing.  

The small silhouette disappears to give way only to her powerful and phenomenal voice.  

It invades time and space, nothing exists, but the purity of her voice.  

There is only her and the  listener tied in the same moment, same intimacy. 

We can say here that there is a double intimacy that we share with art; 

The first one is with the artist and the second is with their art form, but both allow us to feel at home in their words, in their verses, in their paintings, in their sculptures, in their voice, in their work, etc. 

Moreover, there is a sense of remaining in the meaning that it offers us. 

From the Greek cannon to Leonardo da Vinci, from the Cantilena of St. Eulalia to Soyinka …

All these works, all these authors, all these concepts have in filigree this very notion or this feeling of allowing something better in us to come out and also they give us an horizon, they ennoble us, they inspire us…

There is a sense of being a home and at home  with what we share with the artists through their works. 

This home is a moment, an intimacy that exists between us, the artist and his art, much more, it has been the case through all human history. 

It is this thing that still makes relevant to us the discobolus of Myron, the Nordic epics and legends, the texts of Edfu, Fela Kuti, etc. 

These works speak to us because we share with them this moment of eternity. 

The philosopher Emmanuel Kant, in his Transcendental Aesthetics, trying to set the conditions that make possible experience, which will ultimately help him to ask the question of the possibility of  knowledge namely “What can I know?” “What can I do?” “What can I hope for?” 

He had made a major distinction between the notions of space and that of time, which are the foundations of almost all experiences and therefore of almost all knowledge. 

Kant had established that space is the dimension outside us and that time is the dimension within us. 

Let us just stop there with Kant for fear of making idle our present discussion. 

However, the two Kantian distinctions are not foreign to any art form since art expresses or materializes time in space. Or reshapes space in the artist’s temporal dimension. 

Art thus crystallizes a personal and subjective dimension into a reality that is often collective and objective. 

Unless the artworks come to the artist from an external commission, exterior to the artist themselves like the painting of Leonardo Da Vinci’s, the Annunciation. 

This does not completely erase in this case, this mirror game between interiority and externality. 

Although we  do not often have a consensus on the criterion of beauty, since all beauty is perceived by the culture that gives it and the artist who portrays it. 

To quote lightly Kant again, only lightly because of all the implications that follow his statement; “Beauty is what pleases without concept” 

We agree, however, with Kant that beauty is for all in law, but against Kant, we also believe that beauty is also in fact for everyone. What can be perceived as a contradiction for the reason may represent many possibilities in art and its form of expression.

We should not define absolutely  beauty for all of us as a general rule. 

Beauty is not a unique property of the reason, it belongs also to those who can perceive it in an intuitionally seized, an emotional understanding of what comes to them.

Away from those dry considerations, there still is a kind of intimacy that has to exist between the artist and their work. 

It is their ability to marry space and time in art that we call the intimacy of time, as we mentioned with Homer’s verses, that thing in Maria Callas’ voice or the power in Whitney Houston’s work.

To be able to appreciate a work of art, is to be able to enter into the intimacy of the artist which also becomes ipso facto our own intimacy. 

Their work marks us. It stays with us. We share it with others. We pass them on from one generation to the next. We create communities around our favourite artists, as is the case of communities created around the works of Tolkien, George Lucas, etc. 

They give us a sense of belonging to something greater than ourselves. 

The art is the home of our most human expressions; from the sordid to the sublime. 

The need to remain in life is antagonistic to the imperative of time to consume everything. 

We must remain because time leaves us no other alternative but to leave. 

To remain, we must build what can defy time like the pyramids, which can testify to our passage in life, which will remain as a moment of eternity. 

What remains is who we are, what we are is our home. 

What remains will fill time in this moment of eternity and plenitude. 

Where else in fact will we be at home? 

Art by its ability to render our exteriority as interiority or time and to convert our externality or space into interiority thus it is finishing in us our highest capacities; those that allow us to turn the unknown into familiar, the shapeless into form, to convert the house into a home, to fill our personal universes with a multitude of connections and worlds that make us able to call this world around us, home, while transforming our personal views, into something common. By sharing and communicating, we establish all around us bridges of meaning in what we have in common according to the fields concerned whether it is in music, painting, sculpture, slams, poetry, etc. 

When we acquire, for example, a copy of the Mona Lisa, when we place it carefully into our home. Or that we visit the original at the Louvre Museum.

We are not only showing our artistic sensibility, we are building a bridge between us, all the people that like the same artwork, the artist and their time. 

It is an intimate dialogue between two subjectivities that marry one (the artist) leading outwards and the others (the fans) bringing back inwards. 

This is equally valid for other art forms in their unceasing effort to reveal the often hidden meaning of people and the world. 

Art reveals us in our various relationships to it, whether by imitating it, revealing it or contemplating it…

We always find a source of new  ideas, of various directions, but also and above all, a home that is our intimacy to time. 

It is this intimacy that makes who we are, in the world around us, and even in the universe itself, familiar to us. 

Without time, space would lack objective reality, but without space we could not intuitively feel the time. 

Art combines them in all its forms to express and highlight its own diversity, which is also our own.

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Eccentricity is a scent of art.

 Eccentricity is a scent of art

To be unique is to be authentic. To be unique is to try in vain with goodwill to be like everyone else without ever achieving it. It is trying to conform to the norms accepted by society without ever feeling at home. All true talent, all profound intuition are unique and authentic in their content and also in their form. It is not likely the same in the way they appear, thinking of  Diogenes of Sinop who walked the streets in the middle of the day with a lamp illuminating the faces of his fellow citizens because he was looking for man, like Bob Marley who had let this hair grow into dreadlocks, stating that his hair was his identity or like Keith Moss, the champion of both behavioural and behavioural quirks or even more like Nicolas Tesla who would not enter a building unless he had turned three time around it… Art is the domain where the unique authenticity of the artists expresses itself with even more colours and flavours to the point that artists are seen as eccentric beings. Eccentricity is the other side of talent. It is its other face always half-discovered. There is no talent without a means of expression.

Every talent wants and seeks to express itself, in the same way that the nature of all light is to enlighten. Art unlike a lot of disciplines is the one that feeds on its subject while letting the subject flourishes. The subject-object relationship is very different than the one that is maintained in other disciplines. As artists, we are both subject and object of the art that we express. If the talent can be expressed in terms of light, or moreover like a candle, the artists burn their wax by letting the art express itself through them. The light that passes through the artists by the means of the talent that they express, consumes them at the same time.  We are not poets because we are writing poetry. We are poets because poetry expresses itself through us. We are not musicians because we can write music or sing. We are musicians because everything in us has a rhythm and musical note. We are musical beings. The music we produce is the music that surrounds us and makes us. We are not painters because we paint, but because the whole universe is for us a source of inspirations and infinite productions.

To say it with Heidegger terms; “we become what we are” To be and to become fully the artist who sleeps within us, is to be ourselves in an authentic way. It is to be unique.  It is precisely this mode of existence that often stands in opposition with the social norms, conventions, half-measures, which at first glance allows artists to appear as marginal beings, as eccentric beings. The aim of all artistic life is not to reach the summits of eccentricity, but the true communication of inspiration that is seen under canvas, under  music, under sculptures under poems. If it is true that we are not equal in front of talent, it is also true that we do not react the same way when it comes to its expression. The heart of every artist is a vulnerable heart. The life of an artist is vulnerable to life, vulnerable to the light, to the beauty, to the time and especially to all that manifests itself through him. Yet  the artist is trying to express what comes through him with his strength of character, with the means of the art that he  endowed. There is only one certainty that the expression of talent does not leave an artist unchanged.  In the light of poetry, the exercise of talent is tantamount to whispering between words; to write is to listen.

There is meaning in words.  But words expressed are no more innocent, because they always come through a medium. They are never alone, never without intentions. They are ways and paths to someone, to something.  Like water they need a container. Like a guest they need to be hosted. It is the vase which contaminates the words. It is the host who makes the stay a desirable one. But writing while listening to words only, to what wants  to be expressed only, it is to put ourselves, as the medium, in the background without ever disappearing. It is to forget our egos within the way of words. Writing poetry then is tearing the blissful tranquility of appearances. It is to find the heart and intimacy of things, of life, in a moment that I call eternity. Eternity is not a time without end, but is with what we fill  our moments in the horizon of time. We can never fully hear the voices that call for eternity within us. it is only whispered, only folded into life, into daily worries, into daily deeds.

Awaiting us to unfold the meaning. Meanings waiting to be said, to be revealed, to be drawn. Art is a profound transformation of oneself, a profound work of deepening the meaning of life that is not always very obvious for everyone and even often for the artist themselves, as if we were undergoing our art rather than living it fully and assuming it.  We do not always write, always carve everything we want, but something in us forces our gaze to see, our hand to write, our brush to draw.  That thing is not just the work we do, but the person we become. We do not need to understand in advance our art to execute it, but to adequately prepare ourselves for its accomplishment.

Unlike many other professions, being an artist is a permanent and irreversible state. The inspiration does not know of holidays, nor of retreats…We must live with this state of things and all that we cannot express through art comes to be imposed permanently in our daily life as a reminder of the work that continues without our knowledge. Nature is incredibly effective and therefore under the eccentric auspices of artists, it is always the art that continues to express itself.  Art is the dimension of the universe that science cannot contain in theorems and axioms that gives itself to us as a sensibility of infinite complexity and intelligence. The artists who express it are profoundly altered and changed by the energy that emerges from it. The overflow that they cannot express through their art is expressed through their person because people do not understand the stakes and struggles that they endure and interpret wrongly this expression rich in colour and flavour of their person as being of the eccentricity. If they knew how much art was there, they would look at the artists differently.  Eccentricity is an expression of all artistic beauty. It does not mean that in order to be an artist, one must become eccentric, but only that eccentricity is part of the beautiful expression of art. Because we are not equal regarding talent, so we do not all react in the same way. Some eccentricities are for all to see and very loud, others are just subtle in the refined way of being oneself.

 

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Seed of light

There is at the foundation of any artistic life the need to express something regardless the form of art that  this “something” is expressed through.
In ancient times, art was dedicated to the gods; painting, carving, music and poetry had that task deep within their function. 
So there is in art a magic and divine power.
It is indeed these attribute that helped Orpheus with only his musical instrument and his voice to put asleep the cerebra.
Modernity does not take out the magic sense and enchanting power of art.
If we listen to Mozart’s requiem, we can feel deep within us that power.
Even if we do not paint for the same reasons, even though the gods of today have surpassed those of the past,
somethings in art are still unchanged. It is not defined by success, but by talent.
Bob Marley used to say that “I did not wait for success to know that my music was right”
Talent is the measure at the heart and the spirit of the artist. 
The artist is a powerful catalyst of an energy that has to be given a form that our mind and our heart can digest. 
Talent is made out of generosity. 
Talent is the deep fertility of time in an artist’s life. 
The depth of talent does not always comes from the tranquility of existence. 
To those who the universe has given a lot, it asks a lot in return from them.
This is particularly the case with Beethoven, despite his growing deafness with the years, he had to find his way to continue composing to overcome the barrier that his disability was posing. 
So there is something in every human being that is bigger than their life, that is more important than all the worries linked to the modern life. 
The artists are certainly the most sensitive to it because they devote their whole lives to it. 
That thing, I call it the seed of the universe. We are the dust of the stars, as such, each one of us carries within themselves a glimpse of the universe. 
As the universe is always looking to manifest and to reveal itself, it gives to each one of us the ability to seize it. 
It inspires us and impregnates us by the visit of the nine muses, Apsaras and infinite sources and circumstances of life to give us the means to express it. 
 It inspires us. 
The inspiration and the artist are like a bedside lamp. 
The electricity and the bulb of light represent the inspiration and the shade is the artist. 
In order to let the light manifest itself in the world, the artist has to lower his ego and let the light passing through him. 
We are just the messengers, never the message itself. We have to carry it with love.
Poetry in this matter had played a pivotal role in the ancient mythologies, past theogonies and so on.
 Poetry was the transmission belt between immortals and mortals; it carried knowledge, wisdom and the will of the gods. 
It is only with the ancient Greeks after the vehement criticism of Plato against Homer that poetry began to give way to philosophy.
But the need for poetry is much deeper in us than Plato wanted to afford it. 
Poetry is an emotional understanding of the reality. 
If Oedipus had been a poet, he would have maybe felt in a better way the inconvenience of his life… 
Poetry is a gift. It is a gift of words.
It is not a clever play with words, but a deep and intimate discovery of the hidden meaning of life in words.
Whatever the gift! Whatever the talent!
There is nothing more illusory than a talent or a gift which is not shared. 
Poetry itself does not walk away easily from that.
What is whispered through poetry, what is drawn with words as poem were meant to be shared. 
Poetry that stays on the shelves of one’s heart is like a sun that will never rise, that will never bring the light, that will never know the day. 
There is no sun in such poetry. 
Poems that can not cross the dam of one’s lips are just like a dried out waterfall,
with no foam, no water crashing from the height, with no rainbow to display.
These poems are without colours. They are therefore not a rainbow.
Through poetry, through poems, we share life. We are not afraid of dreaming.
Dreaming about men, about tomorrow, about our children, about our friends, about diversity, about being a human.
As human beings, we are all like lands which give to others what time 
has blessed it with. In doing so, we are receiving from the other too. 
What time will provide them with to fertilize our arid lands; lands not yet arable somewhere within us, but yet lands full of promise.
In that respect, to have a gift is  being seeded by the universe itself, it is to carry it within ourselves, to find a beautiful way to let it shine in the world and reveal itself. It is being a seed of light.
Moreover, we were not seeded with the same seed, so that we still need other seeds to complete the work of the universe within us and within others. 
We can write. We can paint. We can sing. We can dance. 
But we can not all perform,  all the gifts that the universe possess. 
Poetry will always live side by side with music. Even though poetry is music within music.
Paul Malimba. 
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